In my previous blog (Legatho's workshop), I had begun to question all the artists who inspired me. Did not drop that idea , so I would like to get those old interviews to repost here. So here they are.
The firts one :
Hello
all! Today, I'd like to present you one of my favorite blog :
Yep,
"ETERNAL HUNT"... Why I love this blog? It's very
simple.... When I discover it, I was looking for Khorne's berserks
inspiration for conversions, and this blog is full of! But not only..
Inqu28, Blood Bowl, reviews... A real big part of the hobby is on
this site. The happy owner of this blog's name is KrautScientist. Be
warned, his work is very addictive.
Hi KrautScientist
and welcome to Legatho's workshop!
Hey
there! I am KrautScientist, 32 years old, from Germany. I’ve been
in this insane little hobby of ours since the early 90s. Like many
hobbyists, I got into wargaming/tabletop gaming by way of HeroQuest,
then Space Crusade, 2nd
edition
40k
and
Warhammer Fantasy. I took a longer break from the hobby during the
latter half of the 2000s and got back in back in late 2010 with
renewed interest – partly because of my cousin talking me into it,
partly because I was in love with the – then brand new – Dark
Eldar models. After getting back into the hobby, I discovered the
awesome amount of talent and inspiration in the blogosphere and on
the various forums, and it’s been a blast to come up with new
little plastic men ever since – to the detriment of my wallet, I
might add!
When it comes to armies, my most important project are
my World Eaters, Khorne’s
Eternal Hunt, but I also own smaller detachments of Traitor
Guard
or
kitbashed
Custodes, as well as a Blood Bowl
team,
the Orkheim
Ultraz. And I am a really big fan of the whole INQ28 movement, so
I come up with all kinds of shady
characters
for
that setting as well.
Could
you tell us your vision of Warhammer 40k/ Inq28?
Whoa,
that’s quite a question there! Let’s see… To me, 40k is this
enormous, eclectic universe throwing together things that normally
shouldn’t mix: You’ve got science fiction mashed together with
quasi-religious iconography, medieval art, renaissance stylings and a
generous helping of body horror. And there is also this prevailing
sense of tragedy, with everything slowly having gone to spit over a
time of ten millennia –as a matter of fact, it’s so dark that
it’s sometimes bizarrely hilarious as well ;)
Now where
mainline 40k is all about these huge, sweeping battle scenes and the
end of the world always being just around the corner, INQ28 is about
the world in-between the cracks, about the shadows and the people
(and creatures) that dwell there: Like “The Name of the Rose” set
in the David Lynch version of Dune, if that makes any
sense.
Consider, if you will, any John Blanche art from the days
of 2nd
edition:
40k proper is the striking, but strangely medieval (and subtly
disturbing) warrior dead centre. INQ28 is all about the strange and
demented figures lurking in the background, the ones you wish you’d
get a better look at – but then you are also happy that you
don’t…
All
of this is probably my rather roundabout way of saying that these
settings are truly special! Unlike WFB, which sometimes seems like a
collection of all possible fantasy tropes turned up to eleven to me,
there’s nothing quite like 40k, nothing that will scratch exactly
the same itch – which is why I am probably forever hooked on the
stuff, I suppose.
What
are your main sources of inspiration?
First
and foremost, I get the most important part of my inspiration by
looking at some of the amazing stuff other hobbyists come up with:
Seeing marvelous models by people like PDH, Jeff Vader, GuitaRasmus,
the Spiky Rat Pack
or
many others always makes me want to push the envelope on my own
projects: We are very fortunate to have a hobby blogosphere full of
amazingly talented artists, and looking at their stuff usually makes
me want to create something to match that insane level of quality.
Some
of the artwork and background created for the 40k universe also
definitely count as a huge inspiration: John Blanche’s artwork and
visions of the 40k universe are always an influence, of course, and
there are all time greats like the (unwaveringly brilliant) 2nd
edition
Codex Chaos or the Inquisitor rulebook. And, of course, there’s
always an undercurrent of possible inspiration that comes from art,
literature, television or video games. If I like it and think I can
use it, I’ll try to make it fit one of my projects ;)
How
do you choose your paint schemes? Do you stay on a coherency or did
the mini told you how it want to be painted?
If
there’s one thing that defines me from a painting perspective, it’s
that I am a big fan of easy recipes: I’ll never be a Golden Demon
standard painter, and I have the attention span of a very small bird
when painting, so most of my painting can actually be broken down
into fairly simple steps. The colour schemes I employ, then, have to
be similarly straightforward and, if possible, striking. Maybe that’s
why I love World Eaters so much: red and bronze look great together.
Add some pale skin, and you have a winner. INQ28 models are more
subtle: Pale, often sickly skin and muted tones, with lots of added
grime and rust. I may not always know what I am doing when painting,
but I always get a pretty good feeling what does works and doesn’t
work.
What
are your favourite bitz?
I
am a huge bitz addict, so this one is really a toughie. Hmm, it
probably doesn’t come as a surprise that I love all chaos bitz,
because they help me to build new, spiky and sinister servants for
the dark gods. On the other hand, I really love those disparate,
eclectic bitz that seem like somebody snuck them onto the sprue while
no one was looking: The little snail from the Bretonnian Men-at-arms,
the owl from the Wood Elf Dryads: Stuff like that often makes for the
best INQ28 accessories!
Do
you have any project on your workbench?
More
than I can count (or paint, unfortunately). The project that manages
to pique my interest more than any other at the moment is assembling
and painting a squad of gladiatorial
World Eaters: Each model in the squad is clearly an individual,
and they are all patterned after historical gladiator types or
general gladiator tropes. Working on these guys has been a blast so
far, and I hope I’ll end up with a standout squad!
Last
step, choose one of your minis (your favorite one) and tell us why.
I'll do the same with what you made I prefer.
Again,
an extremely difficult question. I usually like whatever I managed to
finish last the most, at least until the next project comes rolling
around. When it comes to models I am still really happy with,
possibly my favourite would have to be Inquisitor Zuul, a model I
built as an NPC character for last year’s Inqvitational: Zuul was
built to resemble an actual piece of artwork, which was quite a
challenge. He may not be perfect, but I still think the model has
quite a bit of character.
And
while nobody’s looking, let me sneak in my (still unpainted) model
for Lord Captain Lorimar, my supreme chaos lord: It took me ages to
finally come up with a model to embody the idea of the character I
had in my head, and I am still stupidly happy with the result! Now to
work up the courage to actually paint him…
Ok
so now, it's my turn, and one of my favorite is : Huntmaster Deracin,
Keeper of the Forge. It's true that making a choice is very hard! But
this one is really cool because made in the same way than a lot of
Inq28 : a Wfb base for a mini wich have to fit in the 40k's universe.
Thank
you for your answer.
Thanks
for having me!
I hope you were pleased to read those archives from another age.
Thank you for reading